I am a photographer who examines the intricate and fragile relationships between the natural world, human presence, and the cultural ties that bind the two. My work is driven by curiosity around what remains, what erodes, and what quietly endures as the world accelerates and connections to place become increasingly thin. I am curious about the spaces where questions are left unanswered, and as such I work within suggestion and ambiguity, examining the subtle traces humanity leaves behind and the tensions that surface between presence and absence. Meaning, for me, emerges through what is implied through the echoes of, and quiet friction between, land, labour, and memory. I am drawn to the labour of everyday life and the small, unspoken gestures that hold it together, not as isolated moments, but as part of a wider system of inheritance, adaptation, and pressure. I photograph people not to define them, but to explore how individual lives are intertwined within their environments and larger cultural, environmental, and historical forces. Light, land, and human presence are inseparable in this inquiry, each shaping and imposing itself upon the other. I came to photography as an autodidact, carrying with me a background shaped by disciplines outside the medium. That distance has allowed my practice to remain questioning rather than declarative, grounded in observation rather than certainty. I value honesty above all else, and I am more interested in complexity than resolution. At its core, my work is an ongoing examination of the intersection between culture, humanity, and the natural world, and how macro forces quietly shape the intimate rhythms of daily life. Photography allows me to observe these relationships as they unfold, without the need to simplify or conclude them.